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#Translators’ Roundtable

Translators’ Roundtable Series “More than Worth Sharing”

Hitori biyori by Aoyama Nanae

Hitori biyori, the winner of the 136th Akutagawa Prize, is Aoyama Nanae’s coming-of-age story about Chizu, the 20-year-old protagonist. Thus far, the novel has been published in more than five languages. This month, Aoyama and her translators from Korea, China, Germany, and Croatia discuss the appeal of the novel and share anecdotes about its translation process. Aoyama and the translators read passages from the book in Japanese and in the translated languages. The roundtable concludes with a Q&A session.

Outline of the book

Archive video

Outline of the event

Streamed live on
March 25, 2021, 7:00 – 8:30 p.m. (JST)
Language
Japanese (A video subtitled in English will be posted at a later date.)

Roundtable speakers

Author

Aoyama Nanae

Aoyama Nanae was born in Kumagaya, Saitama Prefecture, in 1983. Her debut novel Mado no akari [The Light of Windows] (Kawade Shobo Shinsha, 2005) won the Bungei Prize. Her 2007 novel Hitori biyori [A Perfect Day to Be Alone] (Kawade Shobo Shinsha) was awarded the 136th Akutagawa Prize, and her 2009 story Kakera [Fragments] (Shinchosha) received the 35th Kawabata Literary Prize. Other works include Watashi no ie [My House] (Shueisha, 2019) and Migawari [Surrogate] (Gentosha, 2020). Aoyama has been a lecturer in the Department of Creative Writing at Tokai University’s School of Cultural and Social Studies since 2019.

Photo of Aoyama Nanae

©Nakabayashi Kaori

Image of Hitori biyori

Aoyama Nanae, Hitori biyori, Kawade Shobo Shinsha, 2007, ISBN: 9784309018089

Translators

Lee Young-mi

After graduating from Ajou University’s Department of Korean Language and Literature, Lee Young-mi received a master’s degree from Waseda University’s Graduate School of Letters, Arts and Sciences. In 2009 she was awarded the 2nd Japan Foundation Poranavi Award for Literary Work/Translation. Her major translations include Yoshida Shuichi’s Tokyo wan kei [Tokyo Bayscape] (2004), Villain (2008), and Ikari [Anger] (2015); Okuda Hideo’s Kūchū buranko [Flying Trapeze] (2005) and Chōchō senkyo [Mayoral Election] (2007), all published by EunHaeng NaMu; Imamichi Tomonobu’s Dante “ Divine Comedy” lecture (Antiquus, 2008); Abe Kobo’s The Ruined Map (Munhakdongne, 2013); Murakami Haruki’s Zatsubun shū [Collected Essays] (Biche, 2011); and Hirano Keiichiro’s Kekkai [Dam Break] (Munhakdongne, 2013) and Dawn (Munhakdongne, 2015).

 

Photo of Lee Young-mi
Images of the Korean version

혼자 있기 좋은 날, translated by Lee Young-mi, Yeamoonsa, 2015, ISBN: 9788927415350

Zhu Jiarong

Zhu Jiarong is an associate professor at an institution of higher education in China, where she lectures and advises students working on master’s degrees in Japanese language and literature. Her main areas of expertise are modern Japanese literature and literary translation. While lecturing on these subjects, she has introduced Japanese literary works to China for many years, translating more than 100 works by dozens of Japanese writers into simplified Chinese. These translations include ten works by Aoyama Nanae.

Photo of Zhu Jiarong
Images of the Chinese version

一个人的好天气, translated by Zhu Jiarong, Shanghai Translation Publishing House, 2011, ISBN: 9787532752980

Katja Busson

Katja Cassing (pen name Katja Busson) was born in Germany in 1970. She pursued Japanese studies and English language and literature at Trier University and Waseda University. Since receiving a PhD in Japanese studies from Trier University, she has devoted herself for many years to compiling a Japanese-German dictionary. She has translated numerous works into German, including titles by Higashino Keigo, Fujiwara Iori, Tanizaki Jun’ichiro, Kurumatani Chokitsu, Machida Ko, Miyashita Natsu, Aoyama Nanae, and Kawakami Mieko.

Photo of Katja Busson

©Michaela Weber

Image of the German version

Eigenwetter, translated by Katja Busson, Cass Verlag, 2015, ISBN: 9783944751054

Mirna Potkovac-Endrighetti

Mirna Potkovac-Endrighetti was born in Zagreb, Croatia, in 1953 and graduated from the Academy of Music, Zagreb, majoring in violin. She began studying Japanese on her own at the age of 17. After working for the Zagreb Philharmonic Orchestra, she came to Japan and was accepted at the Osaka University of Foreign Studies. She received a master’s degree in Japanese Studies from the university’s graduate school in 1980. Since returning to Croatia, she has been living in Rijeka, where she was a permanent member of the Rijeka Symphony Orchestra at the National Theatre Ivan Zajc until retirement. She has many years of experience as a translator, with her most significant translations being Shimazaki Toson’s The Broken Commandment (Liber, 1987), Natsume Soseki’s Kusamakura (Mathias Flacius, 2012), Oe Kenzaburo’s A Personal Matter (Mathias Flacius, 2005), and poet Otomo Tabito’s Thirteen Verses in Praise of Sake (Književna Rijeka). She has also translated works by Sakaguchi Ango, Miyazawa Kenji, Ogawa Yoko, Enchi Fumiko, Yoshimoto Banana, and Haitani Kenjiro, among others, into Croatian.

Photo of Mirna Potkovac-Endrighetti
Image of Croatian version

Prekrasan dan da budeš sam, translated by Mirna Potkovac-Endrighetti, Sandorf, 2021, ISBN: 9789533511603

Facilitator

Nozaki Kan

Born in 1959, Nozaki Kan is a scholar of French literature. He is a professor at the Open University of Japan and an honorary professor at the University of Tokyo. His books include Jean Renoir: Ekkyō suru eiga [Films That Transcend Borders] (Seidosha, 2001, Suntory Prize for Social Sciences and Humanities), Akachan kyōiku [Educating Infants] (Seidosha, 2005, Kodansha Essay Prize), Ihō no kaori [Parfum exotique: Nerval’s Voyage to the Orient] (Kodansha, 2010, Yomiuri Prize for Literature), and Mizu no nioi ga suru yō da: Ibuse Masuji no hō e [There’s a smell of water—Follow Ibuse Masaji] (Shueisha, 2018, Kadokawa Gakugei Prize). He has translated numerous works by Honoré de Balzac, Stendhal, Gérard de Nerval, and Jean-Philippe Toussaint.

Photo of Nozaki Kan

©Imamura Takuma

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